What can improvised theater teach us?

Introduction Improvisation is at the heart of the process of life; from the construction of RNA to a flock of birds to actors creating characters, narrative, and relationships onstage. It is a process that requires focus, intent, communication, connection, and action. From the hard skills of survival to the soft skills of human interaction, makingContinue reading “What can improvised theater teach us?”

Thoughts on Status in Improvised Theater

The introduction of the notion of “status” was transformational for improvised theater. Keith Johnstone’s conceptual innovation took the art of improvised theater into even deeper territory in the 1960’s. Adding the idea of status focused improvisers more fully upon a person/character’s behavior and intention. It allowed them to meditate on what are the ‘key’ actionsContinue reading “Thoughts on Status in Improvised Theater”

5 Tenets of Ensemble Play

1) Keep it as equal as possible: Unless you’ve been elected to be the director/coach/teacher, it’s not the best of ideas to elect yourself to be the person who tells the ensemble what to do and how to play before you hit stage. This tends to communicate that you don’t trust the ensemble to succeed,Continue reading “5 Tenets of Ensemble Play”

Roadblocks to Connection: “Sorry” and “Worry”

One of the first big ideas I introduce to new students is how “Sorry” and “Worry” are the biggest enemies to good improvisation. I do this because it’s the first thing that I consistently see operating in beginning improv classes filled with new students. It’s our default as humans when facing a new social landscape.Continue reading “Roadblocks to Connection: “Sorry” and “Worry””

‘Yes And’ for Newbies

Improvised Theater has no script. No one made a map, and no one gets a moment to plan. That’s fine; I hate memorizing anyway, but how the heck are we just going to make up a scene both worthy of doing and worthy of being watched? All we have to do is be funny, isn’tContinue reading “‘Yes And’ for Newbies”

Applied Anthropology meets Applied Improvisation

It seems that there are two professional communities who are focused on organizational, cultural, and policy development that are unaware or uninformed about one another. Applied Anthropologists have been in the realm of development formally for over 50 years utilizing ethnographic techniques to learn about peoples’ lives and communities in order to create and administerContinue reading “Applied Anthropology meets Applied Improvisation”